{"id":14169,"date":"2010-03-05T09:28:43","date_gmt":"2010-03-05T12:28:43","guid":{"rendered":"http:\/\/www.inclusive.org.br\/?p=14169"},"modified":"2010-03-05T09:28:43","modified_gmt":"2010-03-05T12:28:43","slug":"o-meu-mandela","status":"publish","type":"post","link":"https:\/\/inclusivenews.com.br\/?p=14169","title":{"rendered":"O meu Mandela"},"content":{"rendered":"
\"\"
<\/figcaption><\/figure>\n

Por Marcos Rolim *<\/strong><\/p>\n

\u201cInvictus\u201d \u00e9 apenas aparentemente um filme sobre Mandela. H\u00e1 passagens que n\u00e3o s\u00e3o biogr\u00e1ficas e h\u00e1 informa\u00e7\u00f5es centrais para a compreens\u00e3o do processo de luta e supera\u00e7\u00e3o do apartheid que n\u00e3o couberam no roteiro como, por exemplo, a import\u00e2ncia da \u201cComiss\u00e3o de Verdade e Reconcilia\u00e7\u00e3o\u201d que ele criou, assegurando a anistia a todos aqueles que se apresentassem em audi\u00eancia e relatassem os crimes praticados.<\/p>\n

O que faz com que \u201cInvictus\u201d seja uma obra de arte \u00e9 o fato de que ele \u00e9 um filme sobre todos n\u00f3s. Troque o rugby pelo futebol, Frederick de Klerk por M\u00e9dici e Robben Island por Ilha Grande e uma parte importante de nossa hist\u00f3ria estar\u00e1 ali, como tamb\u00e9m nossos argumentos e sonhos; nossos preconceitos pol\u00edticos e nossa intoler\u00e2ncia; os privil\u00e9gios e a exclus\u00e3o; nossa grandeza e nossa mis\u00e9ria.<\/p>\n

Clint Eastwood transforma o que toca em poesia e Morgan Freeman \u00e9 t\u00e3o bom que at\u00e9 seu olhar \u00e9 o de Madela. O poema de William Henley que atravessa o filme como uma esp\u00e1tula e que lhe d\u00e1 o t\u00edtulo assinala em sua \u00faltima estrofe: \u201cN\u00e3o importa o qu\u00e3o estreito seja o port\u00e3o e qu\u00e3o repleta de castigos seja a senten\u00e7a. Eu sou o senhor do meu destino. Eu sou o comandante de minha alma\u201d. Mandela o leu muitas vezes durante os quase 30 anos em que permaneceu encarcerado. Que o mais importante lutador pelos direitos humanos no mundo tenha sido condenado como \u201cterrorista\u201d assinala apenas um destes crimes que n\u00e3o se pode punir, nem esquecer.<\/p>\n

Gostaria muito de ter tido a chance de conversar com meu av\u00f4 materno sobre Madela. Lembrei muito dele quando vi o filme. Ali\u00e1s, a mem\u00f3ria de meu av\u00f4 me acompanha t\u00e3o fortemente hoje como h\u00e1 mais de 30 anos quando sua partida nos encheu de tristeza. Foi a \u00fanica pessoa com quem tive a chance de conviver que esteve profunda e radicalmente comprometido com a ideia do perd\u00e3o. Ele foi meu primeiro Mandela, o \u00fanico com quem pude conversar. Lembro dele ao piano, tocando para os netos fascinados; lembro do seu sorriso amplo; da sua m\u00e1quina de escrever onde aprendi a dedilhar meus primeiros textos; das par\u00e1bolas b\u00edblicas que nos contava; de sua paix\u00e3o pelo Gr\u00eamio; da forma doce como se dirigia a minha av\u00f3, Maria Helena; da sua dedica\u00e7\u00e3o integral aos outros; da aus\u00eancia absoluta de ambi\u00e7\u00e3o ou vaidade; do seu talento como orador nos serm\u00f5es da Igreja; de sua imensa cultura. O \u00faltimo dia 10 de fevereiro marcou o centen\u00e1rio do nascimento de meu av\u00f4, L\u00e9o Wilhelm Schneider. Maestro, professor e doutor em m\u00fasica, foi um dos poucos compositores sacros do Brasil, tendo nos legado composi\u00e7\u00f5es bel\u00edssimas, destacadamente um ciclo de cinco orat\u00f3rios (O Calv\u00e1rio, S\u00e3o Jo\u00e3o Batista, Purifica\u00e7\u00e3o do Templo, Convers\u00e3o de S\u00e3o Paulo e Jesus Nazareno). Tenho certeza de que ele adoraria o filme.<\/p>\n

* Marcos Rolim \u00e9 jornalista. Reproduzido com a permiss\u00e3o do autor.<\/strong>
\n_________________
\n
\nFonte:<\/strong> Rolim.com.br<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

\u201cInvictus\u201d \u00e9 apenas aparentemente um filme sobre Mandela. 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